ChorX v1.5.2 WiN

Team V.R | 12 April 2016 | 7.86 MB

AAX RTAS VSTi x86 x64

Chor’X combines four types of Vintage Chorus effects, based on Bucket-Brigade Delay (BBD) emulation with a sophisticated True Stereo Dynamic Spatializer. With this duo, it becomes very easy to add space , depth, and other dimensions to your instruments, and achieve complex and intriguing mixes. The new Legacy/Advanced feature allows a fast workflow to choose and tweak your prefered chorus model. You want only a standard famous chorus algorithm ? Keep the Legacy view, select your specific mode, that’s all ! Just add a bit of space by moving the outputs in the Stereo field. You want more, would like to change a bit the LFO rate or Amount of your chorus model ? Click on the Advanced button and change the Chorus parameter as you did with the previous Chor’X version.

Le Masque Delay v1.5.1 WiN

Team V.R | 12 April 2016 | 6.7 MB

AAX RTAS VSTi x86 x64

Le Masque :Delay lets you specify in a very accurate way which part or parts of the dry signal will be processed by the Delay unit and its components and modulators. The Masked zones of the grid are processed by the Delay Unit, while all the audio data outside of the Masks remain unchanged.

LX122 Premium v1.0.1 WiN

Team V.R | 12 April 2016 | 8.32 MB

AAX RTAS VSTi x86 x64

LX122 and LX122 Premium are rotary speaker emulation plug-ins, both featuring XILS-lab’s proprietary True Stereo Dynamic Engine (TSDE), offering a whole new way to record rotary speaker effects. Although there is a lot a various models, the classic Leslie speaker consists of two driver units – a stationary treble unit with spinning horns (called Horn here), and a stationary woofer and spinning rotor (called Drum here), with two filters, which divide the frequency spectrum between the horn and the woofer. Both the horns and a sound baffle for the bass are rotated to create Doppler effect based vibrato, tremolo and chorus effects. The rotating elements can be stopped, switched between slow (chorale) and fast (tremolo), or transitioned between the two settings. Not only the unit gives this particular effect, but also the ensemble it creates with the room where it is located.

RAMSES v1.0.1 AAX VSTi RTAS x86 x64 WiN

Team V.R | 12 April 2016 | 8,45 MB

Rythm And Motion Stereo Engine System

Autopan, Auto-wah, Tremoloes, TranceGates, FilterGates, Turn Pad to rythms, all with dynamic control. Mix sophisticated automodulations patterns ( Up to 3 synced Masks Sequencers controlling any RAMSES parameters ) with real time playing control. On the fly Re-Creation of drumloops, or loops of any instrument. Total Space control : Stereo Width, Balance, Gain. Transform a simple oscillator into an analog synthesizer. Complex Grooves and Shuffles bypassing the rigid character of Step Sequencers ( Mask Technology ). Up to 4 bars long polyrythmic patterns. Dubbyfy any incoming audio material ( Spray Delay. Add bright and pure overtone to incoming signal in a dynamic way ( Filters autoOscillating in all modes ). Build incredible sequences with the highest level of control.

Vplus v1.0.4 WiN

Team V.R | April 09 2016 | 19 MB

AAX RTAS VSTi VST3 x86 x64

Strings, Human Voices, 10 band Musical Vocoder

From a very long time, this wonderful and versatile machine was used by a lot of well know artists and musicians, from a long time now, it is waiting by a lot of computer users to be part of their sound arsenal. The XILS V+ combines a Vintage 10 band Vocoder, Supreme Top Octave Divider based Strings and Human Voices, or any sophisticated layering of these three elements. After more than one year of intense modeling deep in the basement of the Xils Laboratories, we offer you this complete recreation of a legend. Its unique vintage vibe and beauty that can only be brought back to life by precisely emulating different ancient and forgotten techniques.

The RiSER v1.0.7 AAX VSTi WiN

Team AudioUTOPiA | Jan 11 2016 | 87 MB

Add Today Custom Installer (All in One Installer)

The Riser is an all-new instrument for designing musical transitions of epic proportions. A powerful, synth-based instrument, The Riser features all of the tools you need to compose heart-stopping transitions in one intuitive user-interface. In seconds, you can construct rises, falls, swells, fades, and more, based on our coveted sound synthesis technology. For instant inspiration, The Riser includes 300 pro-grade presets that you can edit, deconstruct, copy, mangle, and implement into your tracks. Transitions add suspense, hype, drama, and movement to your music. Cymbal swells and reversed instruments were go-to transitions for years, until the DAW pioneered fast and flexible audio editing, paving the way for complex sound effects. When combined with synths and other audio shaping tools, transitions completed their metamorphosis from science to art. Until now, this process has convoluted and time-intensive, taking attention away from the overall project itself. The composer spent more time trying to get plugins, virtual sample players, hardware effects, sound modules, and other gear to play nice with each other – and that was before hitting “record”.

Pastoral Tones v1.0 VSTi WiN MAC

SYNTHiC4TE | Jan 30 2016 | 273 MB

[WiN 32BiT] [WiN 64BiT] [OSX 64BiT]

Pastoral Tones is a sample based instrument inspired by the sound aesthetic of Boards Of Canada. The plugin includes 62 preset sound to choose from featuring analog synthesizers, flutes, brasses, strings, electric pianos, sound FX, basses and atmospheres. The acoustic instrument sounds have been sampled from public domain films produced between the 1950s and the 1970s. To thicken the sound, various sound modules have been added, including a sub oscillator, vinyl and film grain noise layers as well as field recordings sampled from public domain old films. All the preset sounds are one sample stretched over 5 octaves of the keyboard. Multi-samples have been avoided to increase loading speed, keep the plugin light on RAM and to obtain that old sampler vibe. As a result, Pastoral Tones runs well on older computer. Furthermore, recordings of public domain films were preferred in order to get the most authentic retro sound possible, the kind of sounds you would hear on a Boards Of Canada album.