Chipcrusher v1.822 AAX AU VST RTAS WiN MAC

TEAM R2R 2015.05.08 | WiN: 23.47 MB | MAC: 21.36 MB

Chipcrusher is an advanced bitcrusher, a speaker simulator and noise machine. It’s an audio effect which plays back input audio through a simulation of early lofi digital audio codecs (DAC Encoding), adds grit (Background Noise), and outputs through a selection of speaker and filter impulse responses (Post-Processing).

AGP2 v2.0.2 AAX VSTi RTAS WiN

TEAM R2R | 2015.05.07 | 2.25 GB

AGP (Ample Guitar P) is recorded using PRS Artist Custom 24 Guitar, with 5300 samples, 3.76GB, 24 frets, Neck and Neck+Bridge 2 pick-up instrument groups. Every guitar note with real samples — no re-sample. Natural sustain, the longest sample is 28s — no sample loop.

AGF2 v2.0.2 AAX VSTi RTAS WiN

TEAM R2R | 2015.05.07 | 2.58 GB

AGF (Ample Guitar F) is recorded using Fender Stratocaster Custom 50’s Guitar, with 5000 samples, 3.89GB, 22 frets, Neck and Neck+Middle 2 pick-up instrument groups. Every guitar note with real samples — no re-sample. Natural sustain, the longest sample is 28s — no sample loop.

L´Otary v1.0.3 AU AAX VST RTAS MAC OSX

TEAM HEXWARS | 05.05.2015 | 42.6 MB

L´Otary a master quality emulation of legendary rotary speakers!

The PSP L’otary, is our ultra high quality emulation of a rotary speaker. We based our algorithm upon two original and legendary models: the Leslie® 122 and 147, and spent hundreds of hours perfecting our simulations. In other words, this is not just another modulation effect! PSP L’otary is capable of reproducing as precisely as possible the classic sounds of those famous rotary speakers. That said, the L’otary is capable of creative divergences from the original. For example, you could set up both the rotating high frequency horn and the rotating low frequency drum independently from each other and emulate speakers with a static drum or even a broken horn or drum engine.

Phase Motion v1.2.5 AAX AU VST2 WiN MAC

TEAM R2R | 2015.04.29 | WiN: 53.84 MB | MAC: 72.48 MB

Phase Motion is a Phaser plug-in featuring up to 16 phasing stages. The Rate can be adjusted in Hertz or it can be synced to the host/DAW tempo. You can choose from 5 waveforms (sine, triangle, saw, square, random s&h) to modulate the phase, and you can tweak Depth and Feedback to range from classic vintage phaser sounds to extreme digital modulations. For even more phase modulation effects it is also possible to invert the modulation phase for one channel of a stereo signal.

Sonoris Plugins Pack WiN MAC

TEAM R2R | 27.04.2015 | 73.12 MB

AAX – AU – VST – RTAS

The Sonoris Mastering Compressor (SMCP) is a wideband mastering compressor in VST, AU, AAX and RTAS format for Windows and Mac. It is an ultra clean compressor suitable for delicate material. No odd harmonic distortion that can be found in most compressors is present in the SMCP. To reduce residual artifacts the SMCP features upsampling of the audio up to 8 times. Transparency can be further enhanced by selecting auto-release and feedback detection together with two soft knees. If a more aggressive behavior is needed you can for example choose feedforward detection with a harder knee. It can have some “character” if pushed. If needed, the audio can be warmed up with even harmonics with the flip of a switch.

SurferEQ v1.2.6 WiN

TEAM R2R | 2015.04.13 | 13.65 MB

WiN32 – VST/VST3/RTAS, WiN64 – VST/VST3/AAX

Up until now, EQ’s were set to a fixed frequency range. In reality, fundamental frequencies and the harmonic series change with the pitch of the instrument or vocal track. This characteristic makes the standard, fixed-frequency EQ less effective when it is used to manipulate the instruments/vocals harmonics. Enter SurferEQ. SurferEQ tracks the pitch of the instrument or a vocal track and can change the EQ frequency accordingly in real-time, making it possible for the first time to naturally control the fundamental frequencies or harmonics of a track. Just set any of the EQ bands to a desired harmonic and watch SurferEQ move with the track, staying always relevant to the music. For over a year, we’ve meticulously developed an accurate, real-time pitch detection engine with virtually no octave errors. There’s no need for endless parameters tweaking. It just works.