Foundations of Audio Reverb Update TUTORiAL

Team MAGNETRiXX | 18 February 2014 | 3.34 GB

This installment of Foundations of Audio explains one of the most essential ingredients in audio mixing, reverb—the time it takes for sound to bounce, echo, and decay during a live performance or recording. Reverb gives a natural richness to your recordings, which is possible to reproduce. Producer and audio engineer Alex U. Case covers the acoustic, mechanical, and digital means for creating reverb, and charts the parameters (room size, density, etc.) you’ll need to know to take advantage of the original recording space and enhance it in post. He then shows how to simulate reverb digitally with effects, adding timbre, texture, and contrast, and improve the sound of your mixes with a sense of space and depth.

Guitar Techniques January 2014

January 2014 – Audio & Video Parts | 152 MB

English | 100 pages | True PDF | 18.48 MB

Guitar Techniques is music magazine especially for Guitars, from choosing right model guitar to tuning , for noobs to pro everything is covered and explained in simple manner. hot lessons too.

Audio Recorder v2.4 WiN-CHAOS

Team CHAOS | Feb 13 2014 | 1.5 MB

AD Audio Recorder is a sound record program for Windows. It can record in normal mode as the most known audio recorders and in sound activated mode. Intuitive user interface and sound visualization in real time make easy setting and adjusting of recording parameters.Active Audio Recorder can record any signal from your sound card including live streaming audio from the internet, audio from movies and music played by the most popular media players into MP3 and WAV format. Advanced sound activated recording allows you to save your audio notes and skip silent passages in any streaming audio.

Foundations of Audio Delay and

Modulation UPDATE TUTORiAL

Team SYNTHiC4TE | Feb 13 2013 | 2.29 GB

In this installment of Foundations of Audio, author Alex U. Case explains the fundamentals of delay and modulation effects and how to apply these effects, technically and creatively, to improve the sound of a mix. The course covers adjusting individual parameters such as delay time, level, and feedback; working with long delays to create echoes, enhance groove, and add support; using delay modulation for chorus and doubling effects; and dialing-in spectral effects from delay, such as flanging. This course also includes Get in the Mix (GITM) sessions for both Avid Pro Tools and Apple Logic Pro. Exercise files are also included with the course.

Synapse Audio Plucked String VSTi v4.0 x86/x64

TEAM ASSiGN | 03 MAY 2011 | 3.19 MB

The Plucked String is a physical modelling string instrument with a warm and pleasant sound, which includes five different string models. The type of sounds range from fuzzy, metallic guitar strings, over smooth nylon strings, to big and fat floorbass. It is also capable of more imaginative sounds with less resamblance to any real-world instruments. A selection of four different wavesets (also called models) is available. In the latest version, a fifth model was added – the “acoustic” model, which is even more lively and real sounding than any of the other models.

Foundations of Audio:

EQ and Filters UPDATE TUTORiAL

Team: SYNTHiC4TE | Jan 22 2014 | Size; 3.54 GB

In this installment of the Foundations of Audio series, author Brian Lee White shows producers and audio engineers how to properly apply equalization (EQ) and improve the sound of their mixes. The course covers the use of parametric and graphic EQs—and filters such as the high/low pass filters and shelf filters—in a variety of musical settings. These principles can be applied to any digital audio workstation platform, including Logic and Pro Tools, as well as analog workflows.

Synapse Audio Plugins Pack 2014.01.10 WiN MAC

TEAM R2R | 2014.01.10 | 9.57 MB

Synapse Audio Hydra WiN/MAC The Hydra is a multi-model synthesizer, features three different routing models, each with three oscillators. Each routing model combines the three oscillators in different ways, by phase modulation or ring modulation – and each model has radically different possibilities. The logical organization of the user interface makes it easy to maintain a good overview of the high number of parameters, and design your own original sounds. Two of the three oscillators have 39 preset waveforms, and can be individually saturated. Envelopes can be switched to percussive mode, turning the instrument into an extremely versatile drum sound synthesizer. Hydra comes with a library of 128 useful and imaginative presets, including house/club style organs, bells and percussions, basses, subtle ambient atmospheres, powerful leads and rich stereo pads.