Mixing with Delay TUTORiAL

FANTASTiC | 30 May 2018 | 802 MB

Mixing with Delay is full of tips, techniques and strategies to take your mixes from dry and dull to tastefully polished and professional. Depth, character, tone, and vibe, mix engineer teaches you how to creatively manipulate the stereo field and bring your mixes to life

SKRAM Delay v1.2 for Ableton Live 9

ZEUS | May 18 2018| 1.2 MB

Format: ALP / Type: M4L FX

Glitch delay sounds at your fingertips.

Skram Delay lets you dial-in various flavours of delay randomness. From subtle changes such as slap-back or cardboard echoes to complete sonic chaos, it’s all possible with Skram Delay. Its speciality are ‘instant glitch’ sounds.

Instant Delay v1.0.1 WiN

TEAM V.R | 15 February 2018 | 8.68 MB

AAX VST VST3 x86 x64

Introducing Instant Delay, newest delay plug-in from the Plugin Alliance stable that borrows from the artifact-free Modern Instant mode of its bigger sibling, Sandman Pro. In a first for delay plug-ins, Instant Delay’s modulation system also includes integration with ROLI’s latest controller, the Lightpad Block. It’s good news that Unfiltered Audio, even a simple delay, are going to be a little different. Drop Instant Delay into your standard delay returns, and it can perform all the everyday tasks you’d expect – anything from stereo echoes on a vocal track to ambient delay tails on an undulating synth pad. For its simple interface, Instant Delay has been designed to offer a huge amount of control and sonic possibility. The layout of the Delay Time setting not only offers tempo syncing for stereo channels together or separately, but also the option to offset one channel’s delay time relative to the other, thus widening the stereo field for shorter offset times, or creating syncopated rhythms for longer ones.

Sandman Pro v1.1.1 WiN

TEAM V.R | 15 February 2018 | 8.8 MB

AAX VST VST3 x86 x64

Since its release, Sandman has wowed mix engineers, sound designers and DJs alike with its slice-and-dice genius. A delay plugin with a severe narcoleptic bent, Sandman uses its Sleep mode to freeze its delay buffer to create stunning loops and grains that can be re-pitched, down-sampled, played in reverse, dirtied with noise and modulated — transforming and mutating sounds beyond all recognition! Using very short delay times, the shape-shifting Sandman alternately becomes a flanger, stutter generator, wavetable synthesizer or percussion resonator. But Sandman also excels at producing traditional echo and stereo ping-pong effects, providing delay times ranging from slapback to longer than a coffee break.

Life v1.0.0 WiN

TEAM V.R | 15 Jan 2018 | 3.69 MB

(Win32/64; AAX*, VST3, VST)

Life is a delay, with vibrato and tremolo sections, which can also operate in mid-side mode. With options for creating subtle movement and shimmer to bouncy ‘phasey’ delays.
Sometimes when we’re mixing or writing music, we are looking for something to give a track a little lift, other times we need to take a sample and give it a bit of sweetening, to make it fit properly with the rest of the mix. This is where Life stems from, being able to add a little bit of magic and movement to a track makes it come alive that little bit more. Need to double tracked guitars and want them to sound as if they were played separately without a standard delay or a uniformly applied pitch adjustment, Life can take a mono guitar and send it to both left and right, applying small amounts of pitch and amplitude modulations to make them sound uniquely recorded and more importantly filling up the mix.

HY-Delay3 v1.1.2 WiN MAC

Team R2R | Jan 08 2018 | WiN: 6.9 MB | OSX: 5.5 MB

AU/VST/VST3/x86/x64

EARebound v1.1.0 WiN

TEAM V.R | Dec 24 2017 | 5.73 MB

VST2 VST3 x86 x64

EARebound is a full-featured multi-delay plug-in which has been designed to meet a specific need : to quickly create rhythm lines from percussive sounds recorded in various environments (natural, urban, industrial, …). Recording these sounds, processing them through (carefully selected) effects in order to obtain multiple versions of them, loading and mapping them in a sampler, placing them in space, … takes a considerable amount of time and can be an obstacle to spontaneous creativity. In addition, even if we are satisfied with the results after hours of hard work, this rhythmic grail cannot be easily modified, as we would like, during live situations.