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    Outer Space v1.2.0 WiN

    Team V.R | 18 May 2018 | 15.28 MB

    VST VST3 AAX x86 x64

    Outer Space is a faithful emulation plugin of a famous vintage tape echo made in the early seventies. As the original unit, Outer Space features a tape echo section with three playback heads and a spring reverb tank. We have modelled three different tape frequency responses and saturations, along with all the analog imperfections of tape recording/playback. We’ve also modelled the ballistic response of the delay rate (repeat rate) which can create eerie pitch shifts (due to the Doppler effect), one of the classic tape echo-based sound effects


    Viewed 16734 By Music Producers & DJ´s.


  • EchoRemover v1.1 AU VST MAC OSX
    January 16th, 2018 ⚡
    Categories:

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    EchoRemover v1.1 AU VST MAC

    P2P | 13 Jan 2018 | 13.57 MB

    Whether your audio was recorded in a gymnasium or a hollow-sounding room, EchoRemover™ is a plugin that removes echo from your audio – right inside FCPX, Premiere, Logic X, Garageband and Audition.


    Viewed 6114 By Music Producers & DJ´s.

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    Outer Space v1.1.0 WiN MAC

    Team R2R | 25 Dec 2017 | WiN: 15.1 MB | OSX: 87.8 MB

    VST VST3 AAX x86 x64

    Outer Space is a faithful emulation plugin of a famous vintage tape echo made in the early seventies. As the original unit, Outer Space features a tape echo section with three playback heads and a spring reverb tank. We have modelled three different tape frequency responses and saturations, along with all the analog imperfections of tape recording/playback. We’ve also modelled the ballistic response of the delay rate (repeat rate) which can create eerie pitch shifts (due to the Doppler effect), one of the classic tape echo-based sound effects


    Viewed 17163 By Music Producers & DJ´s.


  • Vandelay v1.0.0 VST VST3 x86 x64 WiN CE-V.R
    December 22nd, 2017 ⚡
    Categories:

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    Vandelay v1.0.0 WiN

    Team V.R | Dec 22 2017 | 1.71 MB

    (Win32/64; VST3, VST)

    Vandelay provides three separate delays in as many frequency regions. Each delay has an LFO that modulates the pitch of the audio stream. Together with tempo based delay times and feedback control you can create a very rich sound from almost any source. Sporting a clever, responsive and intuitive user interface, Vandelay is easily controlled and you will almost certainly get the hang out of it in minutes!


    Viewed 6714 By Music Producers & DJ´s.


  • How To Use EchoMelt TUTORiAL-SYNTHiC4TE
    October 16th, 2017 ⚡
    Categories:

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    How To Use EchoMelt TUTORiAL

    SYNTHiC4TE | Oct 15 2017 | 446 MB

    A look at How To Use Echomelt, Psychic Modulation’s new multi-FX unit designed for adding character, texture and warmth to your sounds. This intelligent plugin, that won’t break the bank, can create warbling “VHS” tape snagging effects, swirling choruses, dubbed-out space delays, lo-fi saturated distortion and everything in-between. Over these two videos we firstly go through the user interface checking out each of the controls before we look at EchoMelt in use, adding the plugin to a bass, pad and lead section of a track to see how it can transform and improve the sounds.


    Viewed 3460 By Music Producers & DJ´s.


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    Learn the Delay (Echo) Effect TUTORiAL

    ilfsn | 02.10.2017 | 30 Mins | 536MB

    Are you interested in Music Production, Songwriting and Making Music on your computer? Well the Delay Effect is one of the most essential for Music Production, whether you want a tight and focused sound, or a big, wide and spacey production.


    Viewed 4262 By Music Producers & DJ´s.


  • Polaris v1.5.0 VST AAX WiN-R2R
    April 17th, 2017 ⚡
    Categories:

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    Polaris v1.5.0 VST AAX WiN

    Team R2R | 19 Apr 2017 | 4.7 MB

    Polaris is an echo/reverb plugin inspired by early hardware digital reverbs of the late 1970s and able to provide echo, ambience and reverb out of a single multitap delay line. When hardware digital reverbs came out to the market they were really expensive. Most manufacturers were already exploiting chains of comb and allpass filters (smoother reverbs, but expensive in both resources and chips), there were other techniques involving the use of a single multitap delay line to create a reasonable reverb while keeping the cost affordable. That idea is so simple yet powerful: you mix a bunch of unmodulated taps (Early Reflections) with the remaining modulated taps (Diffusion) to create a cheap but convincing reverb.


    Viewed 6035 By Music Producers & DJ´s.


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