FORTE v7.1.0 Premium RETAiL WiN

TEAM F4CG | 11 July 2016 | 59,06 MB

For the professional musician… everything you NEED. For the amateur musician… everything you WANT. This full-version is the showcase edition in the FORTE 7 line of products, and provides high quality function and operation. The sky’s the limit and the possibilities are endless with FORTE 7 PREMIUM!

GrindMachine v1.8.0 VST VST3 WiN RETAiL

P2P | October 18 2014 | 14.73 MB

Grind Machine is the ultimate metal tone monster.

No need to tweak, just plug Grind Machine into your track and enjoy instant mix ready tones that cut through your mix effortlessly. Grind Machine keeps it simple, using any of it’s 12 amplifiers and 20 cabinets it gives you over 240 kick-ass sounding rig variations, leaving you to focus on the songwriting process and save time on your mix. Grind Machine also includes DJENTBOX, an overdrive pedal that makes low tunings sound tighter and more in your face!

Head Crusher VST VST3 x86 x64 WiN RETAiL

P2P | 11.10.2015 | 3.41 MB

Head Crusher is the ultimate analogue saturation workhorse, Head Crusher can go from subtle warmth to full on harmonic destruction. Use it to give drums more power, to make vocals stand out in the mix and sound more aggressive, even use it with a synthesizer and cook up new and exciting sounds, the possibilities are endless.

Eos v1.1.1 VST RETAiL WiN

SYNTHiC4TE | Feb 02 2015 | 745.6 KB

Eos consists of three high-quality custom-designed reverb algorithms, made with the modern production environment in mind. Two different plate simulators and our own Superhall algorithm give you a broad palette of reverb, and the easy-to-understand interface makes adjusting the algorithms to suit your track incredibly simple. Want a traditional dark plate reverb? Eos can do that. How about a short, dense room sound for your drum buss? Not a problem. But where Eos really comes in to its own is when you drop Superhall on your piano or synthesizer tracks. The incredibly long modulated hall sounds of Eno-style ambience are where Eos thrives, something that is made of unobtanium with convolution ‘verbs. Quite simply, an impulse response can not do what Eos does.

MuteMyMic v1.10 MAC OSX RETAiL

TEAM CORE | 2015/03/05 | 859,57 KB

Have you ever wanted to mute your microphone exactly the same way as Output Volume? Now it is possible. MuteMyMic provides you with easy way to control Input Volume from the status bar or via keyboard shortcuts. Application works in a background and allows you to control the Input Volume with a single key or mouse click while at the same time you can enjoy your favorite applications that require your mic. Now, you can adjust volume of your Internet phone calls right from the keyboard shortcuts. Since version 1.7 MuteMyMic is integrated with Growl. It will notify you each time input volume was changed by other applications. There is a new feature – “force mute”. Whenever MuteMyMic determines that microphone was unmuted it will mute it again (this feature can be enabled/disable via Preferences panel).

FORTE v6.0.5 Premium RETAiL WiN

TEAM REPT | 02/03/2015 | 61,54 MB

ADD Portable Version: P2P | March 03 2015 | 44,43 MB

Created by musicians for musicians, Forte is a unique and easy to use score writing software for everyday musicians, teachers and choir leaders. If you are looking for a tool that fits your needs, is easy to use and affordable, Forte is perfect for you! Start writing scores today!

Eos v1.1.2 AU VST RETAiL MAC OSX

SYNTHiC4TE | Feb 02 2015 | 1.2 MB

Eos consists of three high-quality custom-designed reverb algorithms, made with the modern production environment in mind. Two different plate simulators and our own Superhall algorithm give you a broad palette of reverb, and the easy-to-understand interface makes adjusting the algorithms to suit your track incredibly simple. Want a traditional dark plate reverb? Eos can do that. How about a short, dense room sound for your drum buss? Not a problem. But where Eos really comes in to its own is when you drop Superhall on your piano or synthesizer tracks. The incredibly long modulated hall sounds of Eno-style ambience are where Eos thrives, something that is made of unobtanium with convolution ‘verbs. Quite simply, an impulse response can not do what Eos does.