SDRR 2 v2.4.1 WiN MAC

P2P | 30 May 2022 | 43.09 MB

AAX, AU, VST, VST3, RTAS, x86, x64

The Saturation Chameleon

SDRR was build to satisfy almost all of your saturation desires. It provides a comprehensive set of controls to manipulate the character of the saturation to make it fit exactly. SDRR offers four different main modes: TUBE, DIGI, FUZZ, DESK and reacts dynamically to the input signal. Each mode has it’s unique crosstalk behaviour, which can be switched of or exagerrated. A unique RMS level difference metering mode makes level matching an easy task. SDRR can be different things: a saturation, a compressor, an EQ, a bitcrusher, a subtle stereo widener, or simply add some movement to your tracks with the DRIFT control. Add warmth, depth and character to your tracks with SDRR.

Maximal v2.3.0 WiN MAC LiNUX

Team R2R | 25 April 2022 | 19.88MB

VST • VST3 • AU • AAX

Loudness Maximizer / Brickwall Peak Limiter

Maximal 2 is a loudness maximiser, featuring an advanced lookahead peak limiter and analogue modelled saturation. The multi-stage limiter section features next-level lookahead, automatic makeup gain, and adaptive and responsive release. This plugin will smoothly limit any peaks in the audio, and automatically increase the overall level. The analogue modelled tape and tube saturation modes encompass all the best parts of the analogue world, without all the bad parts – such as high-frequency roll-off, hiss, wow and flutter. Using our adaptive release technology, you can simply tell Maximal 2 whether you want the limiter to be fast and loud, or slow and transparent, and it will do what’s needed inside. You can use Maximal 2 to catch rampant peaks in an audio recording, or you can use it to make your track phat and loud – it’s up to you how you push it.

CS-3301 v1.6.8 WiN MAC

Team R2R | 2022.04.06 | 15.73 MB

PLATFORM: AU/VST/VST3/AAX/x86/x64

CS-3301 is a channel strip plugin with gate, EQs, compressor, saturation and oversampling. The (noise) gate suppresses noise or any other signal below a certain level. CS-3301 comes with 7 independent filter shaping the sound accurately. The compressor controls the dynamics of the signal. The VU meter monitors level of input/output signal and gain reduction of the compressor.

XCTR WiN MAC PROPER

TEAM BEAT | 11.10.2015 | 11.73 MB

.:AAX, VST2, VST3, AU, RTAS, x86, x64:.

XCTR is a multi band harmonic exciter based on our Head Crusher saturation. Harmonic exciters can give a shine to certain frequencies in the mix. They can be used on drums to make the cymbals shine, bring up the kick drum on a stereo bus, bring some life back into a dull instrument, or even some shine to the whole mix.

Goliath 2 v1.5.0 WiN MAC

Team R2R | 2021.10.24 | WiN: 16.7MB | OSX: 56.8MB

PLATFORMS: WiN32/64 – VST/AAX | MacOSX – AU/VST/AAX

Goliath V2 features 4 Analog Modelled Processing chains featuring ALLOY (Nickel, Iron, Steel based Transformers), TUBE, TAPE & VINYL with a drive control plus a FET based envelope and a 3 band EQ. This is a truly revolutionary and “analog” sounding tool. Be prepared to be pleasantly surprised! What’s new ? Goliath, our top-selling plugin is back in a brand new avatar with a completely new sound engine and new features. This plugin now has 4 types of Saturation models – Alloy, Tube, Tape & Vinyl with Drive. We now use our Advanced DSP models featuring our own proprietary “Multi Convolution” & Component Modelling Technique to simulate “Real” hardware chains of analog gear. Additionally, the plugin now features a full FET compressor in its envelope section and a 3 band EQ plus a Low Cut Filter.

Pendulum v1.1 WiN MAC

Team R2R | 2013.04.22 | WiN: 1.25 MB | MAC: 1 MB

Torsion Pendulum is a simulator of nonlinearity. It can be used for distortion audio signal and harmonics saturation. There are two algorithms used for simulation of nonlinearity.

LUXE v1.0.0 WiN MAC

TEAM R2R | 25.01.2020 | WiN: 7.7 MB | MAC: 16.8 MB

PLATFORM: WiN64 – VST/VST3/AAX | OSX: AU/VST/AAX

LUXE is an effect plugin that compresses and saturates an audio signal in a quite subtle but musical way. It is very useful for making a track “fit in the mix”, and can be used with very good results on a drum bus, a vocal track or anything in between. LUXE is very easy to use – simply choose between the LUXE or FINESSE algorithms, and set the desired processing level. Don’t be fooled by the modest control possibilities – under the hood is a very sophisticated set of parameters that will treat your incoming audio with great care, musicality and warmth. Its only continuous user parameter intelligently controls a set of internal (non-visible) parameters which makes LUXE an easy tool to use for quick results. The alternate FINESSE algorithm offers a slightly different frequency response, and also adds some edge to the internal saturation module.