The Mangle v1.1.1 WiN MAC

P2P | 04.09.2018 | WiN: 92.19 MB | MAC: 103.13 MB

AU VST x86 x64

Granular Synthesizer Plugin

The Mangle grew from years of experiments with granular synthesis. The goal was to ‘play’ with the stream of grains in a musical and expressive way. This led to some unique features: a large XY area with real-time grain display. Pitch and tempo locking. True stereo grains and multi-timbral layering. Stretch out rich harmonics from acoustic sounds. Turn field recordings into ambient soundscapes. Or bring in synth sounds to be shredded, exploded and recombined with intricate patterns and cloud effects.

Building a Synthesizer in Max MSP

SYNTHiC4TE | July 11 2018 | 458 MB

Expand your sound design skills dramatically by understanding the complex processes behind the creation of synthesizers; In this tutorial series producer and DJ Josh Hodge explains in a step by step guide the process of creating a synth using Max MSP programming language. Take your programming and synthesis skills to the next level and use them to setup your own synthesizer in Ableton!

Genesis CM Synthesizer v1.0.2 VSTi WiN

P2P | Dec 3, 2012 | 163 MB

Plugin VSTi + Presets + TUTORiAL

Those days of searching for the perfect virtual analogue are over! Genesis CM will blow you away with it’s massive sounds,comprehensive modulation system and built in effects.Available exlusive with Computer Music Magazine issue 127 with a big tutorial included in the Mag.Including dozens of new features, such as enhanced voice options,extra effects parameters,more sophisticated LFO control,better general sound quality and a more advanced sequencer. Including 128 high quality presets existing of the phattest leads, basses, pads, sequenced sounds and many more… all designed by Ummet Ozcan, And very usefull for all of your
productions and remixes!

Infinite Pro v1.0.3 VSTi WiN

Team R2R | 01 Jan 2018 | 68.0 MB

At the end of the 70s wavetable synthesis. This was very successful and used by many synthesizer companies in the 80s and 90s. But this technology has its limitations. The main reason is that all sounds are harmonic. In nature this does not happen very often. Many sounds like a piano string have small offsets from the harmonic frequencies. This is even stronger in sounds like bells or percussion.

Synthesizer 2000 KONTAKT

SYNTHiC4TE | Oct 29 2017 | 411 MB

Roland’s neat little SH-2000 monosynth was in some ways a pretty limited machine, built around a single oscillator plus a moderately squelchy filter circuit. Editing was very basic indeed: a series of 30 colourful tabs along the front edge of the instrument brought the onboard presets into play, while a little panel to the left of the keyboard offered rudimentary control over things like filter modulation, wow, ‘growl’ and portamento. Fiddling with these in real time while noodling away on the keyboard could yield some surprisingly cool effects.

Creating Synthesizer Sounds for Electronic Music

ilfsn | 13.08.2017 | 919 MB

Video + PDF + Project File

What you’ll achieve: In this project-centered course*, you will create sounds and use them in your own musical compositions. Whether you’re an aspiring producer, composer, or hobbyist, this course will help you gain skills in music production and confidence using software synthesizers. Along with your classmates, you will create a massive database of designed sounds, or patches, to use in your compositions.

BadAsStation KONTAKT

0TH3Rside | Jan 11 2017 | 3.28 GB

A modern classic bass synthesizer in Kontakt format, which can faithfully reproduce analog bass sounds similar to a TB-303, Micromoog or Pro One synthesizer. The design and monophonic architecture set this virtual instrument up for strict bass line, lead synth lines, and synth fx. Originally launched in 1993, Bass Station’s roaring oscillators and glowing analogue signal path defined numberless dance and electronic hits. With the help of advance sampling technology, the iconic sound of the modern classic is now ready as a Kontakt instrument. The highly tweakable little monster can create a wide range of sound, from deep fat bass, screeching leads to special effect. The mix of refined original and stunning fresh sounds create the warmth and resonance which is absent in today’s digital synths.