Virtual Tube Preamp v1.0 WiN MAC

TEAM R2R | 2013.11.17 | WiN: 7.57 MB | MAC: 17.5 MB

Studio Devil Virtual Tube Preamp faithfully emulates the analog circuitry of a discrete, class-A biased, vacuum tube preamplifier. All of the associated analog circuitry, including the vacuum tube itself and the effects of biasing resistors and capacitors, are simulated in amazing detail. Just about any audio source or track can benefit from the natural soft limiting and dynamic warmth that this virtual tube preamplifier provides.

Tube Drum KONTAKT

TEAM SUNiSO | 11 Oct 2009 | 653 MB

Inspired by the Blue Man group, we decided to build a PVC pipe thwacker thing… a ” Tube Drum ” .. technically known as a “plosive aerophone” . Starting with a very long 20 foot (6 metre) pipe (that’s a 57 Hz fundamental, for those without a calculator)… we thwacked, and we sampled and we sawed… we thwacked again, and we sawed again — we went back to the hardware store a few times — until one last little piece (6 inches / 16 cm) gave us the high C6. This gave us the ?ve octave completely multi-sampled 63 note Tube Drum.

PSEQ-1 Vacuum Tube Passive EQ VST WiN

HY2ROG3N | 15.04.2015 | 3.69 MB

The PSEQ-1 Vacuum Tube Passive EQ faithfully replicates the sweet and warm “undoctored” tonality of passive EQ circuits. Even with large boosts at narrow-Q settings, the PSEQ-1 Vacuum Tube Passive EQ avoids the harshness that often plagues conventional active EQ topologies. The perfect EQ for individual channels or two- channel final mix busses.

VBE-1 Vacuum Tube Bass Enhancer VST WiN

HY2ROG3N | 15.04.2015 | 3.12 MB

VBE-1 is vacuum tube analog bass enhancer. If basic equalization does not bring enough of low end massive fatness and warmth to your mix, it is time to test new Pentode VBE-1 that will add real vacuum tube warmth, saturation and drive to your baselines and kick drums.

VTC-1 Vacuum Tube Compressor VST WiN

HY2ROG3N | 15.04.2015 | 3.96 MB

VTC-1 is special analog modeled virtual VST compressor with warm analog, fat pumping and transparent sound. Compared to modern compressors VTC-1 has different inner structure and principle of work: VTC-1 don’t have threshold knob, so you set amount of compression by increasing or decreasing input level same like with old analog tube compressors. Compression amount knob is similar to ratio knob at modern compressors. You can select two curves of compression with switch: significant compression or smooth curve. If you prefer fat/massive sound you can boost input signal of vacuum tubes by turning tube drive knob. If you want some real sounding analog color to your digital records and characteristic yet transparent compression feel free to try demo version of VTC-1.

UAD UA 610 Tube Preamp & EQ Collection Explained TUTORiAL

SYNTHiC4TE | March 23 2015 | 228 MB

A TREASURED PREAMP BROUGHT TO SOFTWARE

Universal Audio’s 610 Tube Preamp & EQ have been one of the most sought after preamps since the early 60s, and studio guru Brock Jon shows you how you can get that classic sound with the UAD emulation! Beginning with a historical overview of just how widely used both the original and current production versions of the UA 610 are, Brock dives first into the Preamp, then the EQ Controls, of the UA 610 A & B plug-ins. He also explains what each individual control does and how they all work together. The next videos offer in-depth information on how to use the various plug-ins on different types of source material. He starts by applying the 610 to Drums, then to Bass Synths. Brock now shows you how to get the most out of the 610 A & B on Strings, Synths, And Vocals. Finally, he uses the 610A & B on the Master Buss to add that extra girth and sparkle. If you’re an experienced UA610 user looking for some new insight or a new UAD user looking for a unique creative tool, watch “UAD UA 610 Tube Preamp & EQ Collection Explained” today and reap the rewards of this industry-standard, classic piece of gear!

Phi-L Audio Tube Preamp AU VST x86 x64 WiN MAC

FREE | 04.12.2014 | 10 MB

Abstract: Since the sound of an analogue tube amplifier has always exerted a strong fascination, electrical circuits with tubes play a certain role in the world of audio engineering up to now. On the other hand, audio technology becomes more and more digitised. In many cases, digital models emulate real devices in such a way that differences in sound are hardly audible. In this work a model is developed which is able to emulate the typical sound of a tube amplifier on digital devices. Here the main focus is on preamplifiers with triodes, since they have a particular influence to the sound. Based on the physical properties of real tubes, a tube model is developed first. This mathematical model includes results of theoretical studies as well as analysis of data sheets. The model is then used to implement an entire amplifier circuit.