AE600 Active EQ v6.3.0.9 WiN

Team AudioUTOPiA | Dec 24 2016 | 48 MB

AAX VST2 VST3 x86 x64

The AE600 is the next generation of active equalization. New and unique EQ modes, independent control of fixed and active EQ bands, and an ultra low latency algorithm make the AE600 the perfect solution for any audio production. Every fixed and active band in the AE600 has its own gain, frequency, Q, and mode controls. EQ mode options include parametric, proportional Q parametric, 5x Q parametric, Baxandall shelving EQ, vintage styled EQ, X-style shelving EQ, Baxandall shelving EQ plus filtering, and high and low pass filtering. All bands are completely overlapping and can use the input signal or selected side chain inputs to trigger the active EQ response. The active EQ bands can be controlled via the response plot itself, or from the text readouts above and below the response plot.

Presswerk v1.1.1 WiN

TEAM R2R | 14.7.2016 | 36.64 MB

AAX VST2 VST3 x86 x64 / Dynamics Processor

Presswerk is a powerful dynamics processor with a musical soul. An easy-to-use interface and a rich feature set give you hands-on control over all details of your sound. Presswerk doesn’t emulate famous compressors, it blends the warmth of classic hardware models with developments that are only possible in the digital domain.

EAReverb 2 v2.0.1 WiN MAC

TEAM R2R | 25.12.2016 | WiN: 15.1 MB | OSX: 45.5 MB

EAReverb 2 is a 100% algorithmic reverb plug-in (32/64-bit VST2, VST3, AU, AAX). It features the “Natural” core engine of the original EAReverb but also brings a plethora of new algorithms and functionalities accessible from a totally revised user interface. Compared to the former EAReverb which focuses on simulating natural environments, EAReverb 2 can then be considered as a more holistic answer to your reverb needs.

Pre-X7 v1.1.2 WiN MAC

Team R2R | 03 Jun 2019 | WiN: 32.2 MB | OSX: 30.5 MB

Analog Modeled Vintage Tube Preamplifier Plugin.

VST2, VST3, AU, AAX, x86, x64

Pre X7 is an analog modelled preamplifier based on an iconic vintage tube unit primarily designed for bass guitar and that we modified to make it working with several audio sources.
Both input and output 12AX7 tube models are calculated in real-time, bringing you all the subtle non-linearities that will make each instance of this plugin unique without phase issues. An high-pass filter followed by a Tone control lets you shape the input signal before the output tubes. Furthermore, we included a brickwall clipping limiter to help you retain the distortion on extreme settings.

Cans2Cones v2.0.0 WiN OSX

SYNTHiC4TE | May 07 2019 | 8 MB

WiN: 64-bit VST2 & VST3 and MAC: “universal binary” VST2, VST3 & AU

Cans2Cones version v2.0.0, a complete revision to the headphones-to-speaker emulator with an improved algorithm and added features. Cans2Cones is designed to help a listener make better mixes when monitoring through headphones Cans2Cones applies Interaural Time and Amplitude Difference (ITD and ITA) information to a stereo signal that emulates the distance and spacing of loudspeakers in a treated room. A special feature of Cans2Cones is a dynamic de-compression control which helps to overcome the compressed “in your head” sound that can occur due to the close proximity of headphone drivers to the eardrums.

That Thing v1.3.0 WiN MAC

Team R2R | May 02 2019 | WiN: 147 MB | OSX: 189 MB

There was something about older drum machines and synths that made them sound punchier and more pleasing than today’s clinically perfect sounds. “That Thing” is a multi effects processor that was designed to get you “That Thing” missing from digitally perfect tracks today. It features a beautiful wide and deep chorus section great to thicken anything from synths, vocals, bass, pads drums and other sounds. The soundscape generator features 50 samples of old vinyl players, tape machines, old radio, tube gear, atmospheres, ambiences etc. These ad to your sound with an envelop follower, so the sounds add in only when signal is present and move, and pan with the level of the signal. Easily change the pitch of the soundscape to make it work with any audio you pass through it. The plugin features a bit crusher and distortion that emulates the sound of vintage drum machines giving you a choice of 8/12/16 and 24 bit audio. There is also an analog Low Cut and High Cut filter section designed to shape your sounds further. A wet and dry fader is included to blend in the effects with your original audio.

U-he Satin v1.3.0.4596 WiN v1.2 MAC

Team R2R | Dec 30 2016 | 17 MB

MAC v1.2 : P2P 21 October 2015 | 50 MB

AAX VST2 VST3 x86 x64

We took a journey back to the Golden Age of magnetic tape recording. We wanted to recreate all kinds of tape machines in software, from the ground up. After many months spent on research, measurement and on developing an architecture that would be flexible enough for the job, we knew we had nailed it… But we couldn’t stop there: We added the old noise-reduction systems that were often (mis)used for timbral compression effects. Then more heads and a global feedback path, which made an uber-tape-delay and realistic ‘one-shot’ tape flanging possible. Users familiar with analogue recording gear should instantly feel at home with Satin, and digital afficionados will also learn to love the magic of tape – Satin invites you to explore and find out for yourself.